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Art Chantry's contrarian ways have placed him in the pantheon of great modern designers. Some People Can't Surf: The Graphic Design of Art Chantry is the first survey of this visual iconoclast, who also designed the book and packed it with hundreds of his vibrant images. Gritty, funny, and refreshingly low-tech, his award-winning work has promoted countless bands, social causes, and non-profits. Tracing Chantry's career from his covers and layouts for the seminal music magazine The Rocket, to album covers for such cult bands as Mudhoney, the Reverend Horton Heat, and the Fastbacks, Some People Can't Surf is a comprehensive look at his creative evolution. Complete with commentary on the unusual origins and unorthodox processes behind his work, as well as providing context for his oft-copied look, Some People Can't Surf is a much-anticipated exploration of this idiosyncratic design master.

• Sales Rank: #1022491 in Books
• Brand: Brand: Chronicle Books
• Published on: 2001-02-01
• Original language: English
• Number of items: 1
• Dimensions: 11.30" h x 1.00" w x 9.60" l,
• Binding: Paperback
• 144 pages

Features

• Used Book in Good Condition

Review
It's a little odd, and a more moving sign of aging than seeing gray hair in the mirror, to read a retrospective on the career of someone one's own age, someone with definite roots in the era of punk rock, someone so hip that just as many non-designers know his work as designers. Art Chantry is a man of many styles and all of them feel decidedly in-the-moment, some even in-you-face: the truly DIY poster for an Avengers gig in 1979, the professional yet DIY-look of Rhino Records' 1994 punk reissues, the psycho-billy of a Cramps poster or CDs for Estrus (only one of the coolest labels around) or his deliciously detailed Tool-style posters like the one from 1997 promoting condom use, where the floating cop head warns: "I take one everywhere I take my penis!"

His clients have included Seattle institutions like the Bathhouse, New City, Empty Space, Organic and Repertory Theatres, the Center on Contemporary Art and the Give Peace a Dance and Hempfest benefits. In addition to Estrus and Rhino, he's also designed for Sub Pop, Chuckie-Boy and many smaller record labels like Lucky, Betty and Trash City, and created dozens and dozens of logos and type treatments, each so distinct from the others, it's as though there are just as many designers within that one person. A lot of his work uses collage; for other jobs, he's hired the best illustrators for the job (including R. Crumb, Mad Magazine's Don Martin and the late Ed "Big Daddy" Roth of Rat Fink fame). And he isn't afraid to reference vintage scinece-fiction or distressed newsprint porno ads.

At 47, Chantry still speaks fluent punk. Says 30-year-old deejay Tim Kelly (WMBR), "He's got the whole retro-'60s thing down pat. The Mono Men 'Wrecker!' album is a case in point: the hot go-go girl, the sharp color contrasts--it could be a poster for some lost Russ Meyer flick. You know the Mono Men sound like a dirty garage band just by looking at the record."

Author Julie Lasky's story of first meeting Chantry (in her pajamas?) is charming (but I won't ruin it for you). As she writes, "This book can only hint at the complexities of an underground-lurking, monster-loving, self-described iconoclast who has influenced legions of designers around the world while enlivening Seattle's streets." Lasky, former managing editor of Print and current editor of Interiors, is always entertaining, as is Karrie Jacobs, editor-in-chief of dwell, whose introduction admiringly recalls Chantry from her days working on Seattle's music magazine The Rocket, for which he was the on-and-off art director. Some People Can't Surf is fun to read and even more fun to look at: Chantry's designs will rattle your cage. It'll make you want to shut off the G4, grab an old pulp novel and turn up the stereo. -Communication Arts

About the Author
Julie Lasky is former managing editor of Print magazine and current editor of Interiors. She lives in New York.

Karrie Jacobs met Art Chantry at the Seattle music magazine The Rocket. She has since edited Colors magazine, served as architecture critic for New York magazine, and currently edits Dwell magazine in San Francisco.

Most helpful customer reviews

2 of 5 people found the following review helpful.
A Must Have for any Designer of Anything.
By A Customer
Great cultural perspective of graphic design. Showing a true pioneer whose not gotten much credit until now. Just when you thought all those cool firms with funny names pioneered everything you finally find where they got their ideas. Touché to Mr. Chantry. And touché to those before him even lesser known than he who he owes it all too.

5 of 5 people found the following review helpful.
The Art of Art
By Michael Pinto
In a similar manner to Paula Scher and Charles Anderson, one of the main themes of Art Chantry's work is to take old images and give them a twist. While you can see an echo of this look in almost every graphic design award annual today, Chantry has been working in this style since the late 70's. And while many have borrowed his approach, few have been able to imitate it with the same sense of grit, humor, color and power.
True to the title of the book "Some People Can't Surf" there isn't one website design to be found, but that may not be a bad thing as Chantry is a master within his medium. A very large body of work that spans three decades is showcased which includes everything from his very first poster design for a school concert to promotional work for major Hollywood record labels. One pleasant surprise is seeing quite a bit of logo design work which involves the charm and craft of hand lettering. In end Chantry reminds one of a later day Milton Glaser with a punk rock point of view.
At some points the book can become too crammed by trying to jam several posters onto a page by shrinking them down to matchbook size, however the work holds up pretty well under the strain. This volume would be valuable to any graphic designer looking for inspiration or anyone who is a fan of the Seattle music from the 90's.

9 of 12 people found the following review helpful.
The sad irony...
By Mel Matsuoka
...is that Art Chantry's groundbreaking artwork (and yes--unlike some snooty traditionalist art-weenies--I DO consider graphic design to be "art"!) is more often than not gobs more compelling than the work of the people who have directly benefitted from his work (i.e. most of the so-called grunge bands from the Pacific Northwest). Yet almost nobody outside of Seattle, Tacoma or underground graphic-design circles knows who the hell he is, even though almost everyone has seen his work in one form or other (The Sub Pop logo is one example that immediately comes to mind).
In early 1991, I discovered and became obsessed with underground garagepunk & instro-surf music, the most exciting of which was coming out of the Pacific Northwest, and specifically Estrus Records, in Bellingham, Washington. It was the Estrus label that started my appreciation, and later, reverence, for Art Chantry's ir-reverent style of graphic design. When Nirvana's "Nevermind" was released later that year, the wall that previously kept mainstream riffraff from crashing "our" underground party came crumbling down, and as a result, grungy Northwest music had become suddenly (and inexplicably) marketable. The sudden onslaught of new bands inspired by this alleged "rebirth" of punkrock quickly caused the quality of Estrus' releases to assume an inversely proportional relationship to the quantity of records they put out (well, that's MY theory, at least...). Simply put, the really good music on Estrus soon became a rare commodity. Thankfully, what didn't change was the brilliant package design that thier slabs o' vinyl and silver frisbees were encased in. Art Chantry was responsible for the bulk of these designs, and is the only reason why a big chunk of my record and CD collection isn't fermenting in some used-record store somewhere. His artwork transcended the actual product it was emblazoned on, and made it worth keeping even if the music it promoted was supremely lame.
Chantry's work led me to notice and gain an appreciation for artists such as Stealworks' John Yates, Frank Kozik and even Roy Lichtenstein. But as great as those artists are, Chantry's work is the perfect amalgam of irony, humor, subversion, obnoxiousness and kitsch, and no one that I'm aware of has yet to outshadow him in this regard, even though he is without a doubt a man with many imitators. In fact, many people directly point the finger at him for popularizing the now passè movement in "grunge" design and layout. Whether this is actually true or not is debatable (although it certainly makes sense), but "Some People Can't Surf" is interesting in that it showcases a non-"grunge" (god, I hate that term) side of Chantry that most people would be very surprised to see. The same man responsible for some of the most outrageous and iconoclastic posters and album covers in music history was at the same time designing nondescript logos and brochures for boring, faceless corporations--biotech companies, architectural firms, airlines, etc.--and it's extremely interesting to see this real-world dichotomy brought to light in this book.
Another notable section of the book recalls the time when Art creatively attempted to get around a draconian 1994 Seattle anti-postering ordinance by posting up 'zine-like tabloids to telephone poles instead, ostensibly daring the city to attempt to fine him for what is fundamentally a First Amendment issue. As someone who firmly believes that graphic design and traditional "art" are not mutually exclusive, I found it refreshing to read this shining example of how designers can use their talent to actively influence and challenge the cultural status quo, instead of simply generating pretty pictures for passive consumer consumption.
When I first saw Art years ago in the documentary film, "Hype!" (which I also HIGHLY recommend), talking about the early Northwest music scene, and then proceeding to chop up his super-rare (and super-expensive) posters with a paper cutter, it completely validated what I always thought--this man is an ironic and wonderfully irreverent genius. "Some People Can't Surf" bolsters this fact even further, and I enjoyed reading this book's narrative at /least/ as much as looking at all the cool, full-color images of his brilliant work. I highly recommend this to any graphic designer who is tired of all the c.r.a.p. that tries to pass itself off as "cool", "grungy" or "retro" nowadays.

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• Sales Rank: #8420599 in Books
• Published on: 2012-10-11
• Original language: English
• Number of items: 1
• Dimensions: 9.75" h x 6.50" w x 1.00" l, .0 pounds
• Binding: Hardcover
• 344 pages

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• Original language: English
• Dimensions: 10.50" h x 8.25" w x .75" l, 1.76 pounds
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Covering almost a thousand years, this work features translated texts in a broad range of genres, from the early chronicles and Welsh verse through Sir Thomas Malory.

• Sales Rank: #130046 in Books
• Brand: Brand: Garland
• Published on: 1994-02-03
• Original language: English
• Number of items: 1
• Dimensions: 1.41" h x 5.92" w x 8.46" l, 1.77 pounds
• Binding: Paperback
• 592 pages

Features

• Used Book in Good Condition

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25 of 25 people found the following review helpful.
Good Overview of the Arthurian Legend, with some flaws
By Christopher M. Adderley
This is a useful anthology. If you want to learn some basics about the Arthurian legend, or if you want to teach a class on it, this is the best book to buy. It's fairly comprehensive, with the exception noted below, and the translations are readable, though seldom the best available. It's nice to see some of the unusual stories like "The Saga of the Mantle" and "The Rise of Gawain."
The collection's major flaw is its omission of any Grail text. I have to supplement this book with Nigel Bryant's translation of Robert de Boron (Merlin and the Grail, from Boydell and Brewer). We could certainly do without all the Tristan and Isolde texts (which are only marginally Arthurian anyway). The other flaw, though less grave, is the paucity of the selection from Malory. He really deserves greater prominence than he gets in this anthology, and the selection without proper context isn't very compelling.

9 of 9 people found the following review helpful.
THE ROMANCE OF ARTHUR
By K. Jump
James Wilhelm's "The Romance of Arthur" is an outstanding one-book resource for any student of Arthurian lore. Wilhelm's introductory notes are concise but helpful, and the selection of material is both varied and quite entertaining. There are not only widely familiar and vital core works such as The Knight of the Cart, The Romance of Tristan, Malory's Le Morte Darthur and the Prose Merlin, but more obscure masterpieces such as The Saga of the Mantle, the Rise of Gawain, and the Alliterative Morte Arthure--the last highlighted by some of the most powerful literary battles since Homer and a particularly moving scene of Arthur on his deathbed. An unqualified recommendation for any Arthurian library.

10 of 11 people found the following review helpful.
Great starting book
By K. Garlick
I originally got this book for a course, and it was my first taste of medeival lit. (beyond Beowulf and Canterbury tales, at least - but who didn't read those in twelth grade?). I found it an intriguing, well chosen compilation which showed the major evolutions of the Arthurian saga from the blood-thirsty early chronicals to the flowery romances and chivalry more commonly associated with the legend. The selected excerpts were of just the right length for reading in one sitting, and the introductions helped greatly in understanding them. Despite the fate of most books assigned for a class - I truly enjoyed this one.

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• Sales Rank: #1597083 in Books
• Published on: 2015-06-03
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .70" w x 6.90" l, .0 pounds
• Binding: Paperback
• 350 pages

About the Author
James R. Parker is a professor of Art Digital Media at the University of Calgary. His areas of research include computer games and media art, computer simulation, and educational technology. Dr. Parker is the author of Introduction to Game Development (Mercury Learning),The Guide to Simulations and Games (Wiley) and Algorithms for Image Processing and Computer Vision, Second Edition (Wiley).

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• Published on: 1999
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Winner of the Sillerman First Book Prize for African Poets, The Kitchen-Dweller’s Testimony asks: Whose testimony is valid? Whose testimony is worth recording? Osman’s speakers, who are almost always women, assert and reassert in an attempt to establish authority, often through persistent questioning. Specters of race, displacement, and colonialism are often present in her work, providing momentum for speakers to reach beyond their primary, apparent dimensions and better communicate. The Kitchen-Dweller’s Testimony is about love and longing, divorce, distilled desire, and all the ways we injure ourselves and one another.

• Sales Rank: #408187 in Books
• Brand: Osman, Ladan/ Dawes, Kwame (FRW)
• Published on: 2015-04-01
• Original language: English
• Number of items: 1
• Dimensions: 9.02" h x .25" w x 5.98" l, .0 pounds
• Binding: Paperback
• 108 pages

Review
"In a world that too often plugs its ears to voices it thinks unworthy, Osman shows that it's actually more inappropriate to be decorous."—Kathleen Rooney, Chicago Tribune (Kathleen Rooney Chicago Tribune)

"Ladan Osman conveys a language and logic that is disturbingly fresh; it leaps from one observation to another and speaks familiarly yet obliquely enough to make us listen a little harder."—Wesley Rothman, Rain Taxi (Wesley Rothman Rain Taxi)

“I have rarely encountered a young poet whose work was so completely its own thing, was so little influenced by what trend might be elbowing itself forward on the writing campuses. Osman is a worldly and acutely sensitive writer who knows how to reach right through the sequined veil of fashion and put her hand squarely on the reader’s heart, with frank and candid expression, with unaffected wonder.”—from Ted Kooser’s preface to Ladan Osman’s chapbook, Ordinary Heaven
 
(Ted Kooser 2014-09-17)

“[Ladan Osman] writes out of a passion for language, out of a compelling pleasure and challenge in the potential of the voice to humanize us, or perhaps even better, to affirm our humanity. Osman is a warrior poet, and she is dangerous because she is especially gifted and disciplined about her craft, her technical facility with the poem. This collection offers numerous examples of this skillfulness.”—from the foreword by Kwame Dawes (Kwame Dawes 2014-09-17)

“True visionary poets are very rare. Ladan Osman is one. What she sees is extraordinary, and needful.”—Brigit Pegeen Kelly, author of Song and The Orchard (Brigit Pegeen Kelly 2014-11-24)

About the Author

Ladan Osman’s work has appeared in American Life in Poetry, Artful Dodge, Narrative Magazine, Prairie Schooner, RHINO, and Vinyl Poetry. Her chapbook, Ordinary Heaven, appears in Seven New Generation African Poets: A Chapbook boxed set. She lives in Chicago.

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0 of 0 people found the following review helpful.
This is a wonderful read, one that I would encourage all readers ...
By Fatimah
What a gift Ladan Osman has given us with her debut collection The Kitchen Dweller’s Testimony. Ladan is both of and above this earth: her poems float above us as they make observations about the situations and life she lays out, as well as deal with the very tangible reality of living on this earth as a woman of color and immigrant. Her work is inquisitive, gently exploring the world around her. Her language is also full of play, teasing, joyful, blending both the divine and the secular.

This is a wonderful read, one that I would encourage all readers to explore.

0 of 0 people found the following review helpful.
HARD-HITTING WINNER
By Michael Fredrick Geisser
This first published book of poetry is a winner. Osman spins from revolting against harmful African rituals; to diatribes against relationships in name only; to deeply moving poems about race, displacement and colonialism; and does it all with a firm hand and a strong heart. Revelations abound in this thin volume; Osman is a master of language and pulls no punches—when she wants to punch, she hits hard. I couldn't put this work down, and was sorry when I reached the end.

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• Sales Rank: #16103 in Books
• Published on: 2012-03-13
• Original language: English
• Number of items: 1
• Dimensions: 8.75" h x 5.75" w x .75" l, .75 pounds
• Binding: Paperback
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“More than any book I’ve read, Active Hope shows us the true dimensions of this crisis, and the way our heart and actions can be part of the great turning toward healing. Please read this book and share it with others — for your own awakening, for our children, and for our future.”
— Tara Brach, PhD, author of Radical Acceptance

“Active Hope is a brilliant guide to sanity and love.”
— Roshi Joan Halifax, abbot of the Upaya Zen Center

“If you have despaired for our world, and if you love life, Active Hope will be for you an extraordinary blessing.”
— John Robbins, author of Diet for a New America and The Food Revolution

“Active Hope is not just a book but a gateway to transformation.”
— Jim Douglass, author of JFK and the Unspeakable

About the Author
Ecophilosopher Joanna Macy, PhD, is a scholar of Buddhism, general systems theory, and deep ecology. A respected voice in movements for peace, justice, and the environment, she interweaves her scholarship with five decades of activism. Physician and coach Dr. Chris Johnstone is a specialist in the psychology of resilience, happiness, and positive change.

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56 of 57 people found the following review helpful.
A watershed book...
By Barbara Ford
This brilliant new offering from Chris Johnstone and eco-philosopher Joanna Macy transforms her previous wonderful work, the Work That Reconnects, into a highly accessible and inspiring philosophical ground to stand on as we weather the literal and metaphoric storms of our times. Well organized, and with lots of opportunities for creative personal inquiry, it offers a new way to think about and honor our concerns and love for the world. If you've been feeling overwhelmed, cynical, or despairing in the face of environmental crises, economic disparity, and injustice, this book will feel like a healing rain on parched earth.

This would be a particularly wonderful book to share in a book group as well!

60 of 62 people found the following review helpful.
Crucial piece of work: hope as something you do, not something you have
By ManuArg
Our identities (and, to a great extent, our destinies) are shaped by the story we, consciously or not, tell ourselves about the events in our lives, how we interpret them and how such interpretations make us behave. This makes sense in our personal lives -at least, it does for me and many, many people I know first hand-. This book shows that it is not only sensible but crucial to apply the same principle at the collective level- starting by ourselves, that is. For those of us who refuse to seek comfort in wishful thinking or ignore the increasingly obvious symptoms, cries and dangers of a system thrown out of balance, yet feel trapped into a sense of powerlessness and other painful emotions, this is a must-read.

As its authors contend, great revolutions start in the fringes. It shows a "third story": neither "we'll figure something out, just keep doing what you are doing" nor "we are already screwed, what is the point of anything?", but the very human ability to rise to the occasion and finally reach our collective adulthood as a "life-sustaining society", to use their words. I cannot yet say that I have become an optimist, at least not a full-time one. But maybe that is precisely the point -central in the book, to be sure-: is it only worth fighting for something we have good chances of succeeding at? What if we do not have a clue about the chances we actually have, what if we even KNOW that they are slim: does that make the very cause of making our world a place in which life is celebrated, and not exploited, not worth the effort?

I do not think so. As Frankl attests, even in the worst conceivable conditions, nobody can take away from me the freedom to choose my attitude and find meaning in my life. There is a phrase that has been popping a lot into my mind lately. Nando Parrado said it to Roberto Canessa, in 1972, when they made their last attempt to cross the Andes to Chile, 70 days after their plane crashed in the mountains, when almost everyone had given up on them: "If I die, I'm gonna die walking". This book is a priceless compass to do just that.

Just imagine what the world can be like if millions of us choose to acknowledge our pain, our fear, our ultimate freedom- and keep walking.

38 of 39 people found the following review helpful.
A healthy dose of optimism
By Hrvoje Butkovic
How do we face the grim reality of the state of our world, with looming depletion of key resources, widespread ecological devastation, global climate change, and massive disparities in the distribution of wealth? How do we take on these problems without being overwhelmed by their sheer immensity? How do we marshal our energy, talents and skills for the betterment of our world knowing that we are not likely to succeed, and that it may, in fact, already be too late?

These are the central questions that the book tries to answer.

It is an unusual topic to grapple with. All the other books on the subject of environmental activism that I've read failed to mention it, instead devoting their time to facts and figures that left no doubt about the gravity of the situation, the ways of thinking that have brought us to the brink, and the changes that we'll have to make to dig ourselves out. This suggested an unspoken assumption that informing us about the crisis ought to be sufficient to prompt us to avert it.

My experience has been quite different. Despite being exposed to the problem through various media, I took no interest in it until my late twenties. Once I did, I found it just as difficult to get the attention of others. Some didn't consider it relevant - they had more pressing personal issues to attend to and goals to pursue. To my surprise, there were others who also avoided the subject despite having a fairly good grasp of its magnitude and severity. They felt powerless to do anything about it, so they chose to make the most of the present circumstances and not dwell on tomorrow.

When faced with the same dilemma, the authors of the book opted for a third course of action - to do what they can to bring about the Great Turning, no matter how seemingly insignificant their contribution may be. Depending on where one is in life, this can be a difficult decision to comprehend. While it looks self-evident to me now, I don't think I would have appreciated it when I was younger. It is for this reason that I'm exceedingly grateful to Joanna and Chris for tackling the subject. If the Great Turning is to happen, we will need many more people to take on the challenge of working towards it without expecting to see it realised in their lifetime.

The authors don't spend much time dwelling on the particulars of the global crises that we face, supplying just enough information to set the book's main topic in context. Still, the information that is provided, and particularly the ways in which it is visualised, is among the most stirring that I've seen. I have found it very difficult to read about the dream of leaving a barren, hostile world to our children to inherit, and not be moved to preserve its current life-giving qualities.

Perhaps the most importantly, the book does a great job of presenting alternatives to the dominant assumptions of the modern society. It illustrates how we commonly think of concepts like power and time, how these ingrained ideas have contributed to our predicament, and what alternative views can help us overcome it. Here, it is well complemented by John Broomfield's book Other Ways of Knowing: Recharting Our Future with Ageless Wisdom, which contains a more comprehensive analysis of our unidirectional concept of time and its alternatives, as well as Jack Reed's book The Next Evolution: A Blueprint for Transforming the Planet, which redefines wealth in terms of access to goods and services instead of exclusive consumption derived from their ownership. Noticing, let alone changing, the core assumptions that underpin one's worldview can be exceedingly difficult. This makes these insights all the more crucial.

On a more personal note, the book is a rich treasure of thought-provoking questions and other material that can be invaluable in a workshop setting. This is hardly surprising, considering that it has originated from a series of workshops that were conducted by Joanna over many years. I have found it tremendously useful in my own course work, as well as for personal reflection.

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[W104.Ebook] Get Free Ebook The Certified Quality Improvement Associate Handbook, Third Edition, by Russell T. Westcott, Grace L. Duffy

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ASQs Certified Quality Improvement Associate (CQIA) certification is designed to introduce the basics of quality to organizations and individuals not currently working within the field of quality. This book and the Body of Knowledge (BOK) it supports are intended to form a foundation for further study and application of proven quality principles and practices worldwide. The book follows the CQIA BOK in both content and sequence. The intent is that this book will serve as a guide to be used in preparation to take the CQIA examination given by ASQ. Each chapter stands alone, and the chapters may be read in any order. Some material reaching beyond the content of the BOK has been added. Supplemental reading suggestions are provided.

• Sales Rank: #212749 in Books
• Published on: 2014-10-15
• Original language: English
• Dimensions: 10.50" h x 7.25" w x 1.25" l,
• Binding: Hardcover
• 288 pages

Most helpful customer reviews

1 of 1 people found the following review helpful.
Good introduction to the principles of quality management
By Kevin M. Houston
We are using this book for a quality management class I'm taking. I feel it is a good introduction to the principles of quality management. It is a fairly short book (268 pages) so it's easily covered in a single semester and it is an easy read. But it still covers the material needed to understand the basics of quality.

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