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Witch Queen is a rich fantasy perfect for fans of Throne of Glass, Graceling and The Girl of Fire and Thorns.

ELENA SURVIVED THE GREAT RACE and the clutches of the high priests, but at a cost. The Heart of Arcania, the most powerful magical stone in the land is now in the hands of the wicked priests. But worse—Jon is captured. The black blight is a scar on the world, infecting everything with its black magic, festering until no living thing can endure, and Elena might be the only key to stopping it. She quickly finds herself thrust into a mystery that could shake her world apart…and potentially unleash a greater evil.


Blood Magic (Divided Realms # 3) available May 2016

• Sales Rank: #177863 in eBooks
• Published on: 2016-01-21
• Released on: 2016-01-21
• Format: Kindle eBook

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1 of 1 people found the following review helpful.
Beautiful but Terrifying!
By Boundless Book Reviews
If you've ever read a series, like I'm sure most have. Usually, you think, oh well it's the second. There's no way it could be better than the first. Then you start to read and the magic that was In the first, still resides in the heart of this story.

Elena the Steel Maiden is on a mission to save Jon. But the Black Magic has already poisoned a man, that she loved. After realizing she couldn't save him at that moment. She had only one choice but to go back to the pit. But there is no good news, there's only another dangerous journey. She has to go to Witchdom and get some help. With a few others following, helping her.

There's a part in the book where Elena is describing a power she's never seen before, Beautiful but Terrifying. This how I feel. This is nail biting, heart pumping, beautiful and terrifying. It's a brilliant fantasy read and I love it.

I loved Elena, she is confident, even when those think she is weak. She fights and isn’t afraid to die. She knows that so many lives count on her and she’ll do anything to keep going. There are a ton of new characters in this one. Richardson’s writing makes it easy to love these characters and really hate the evil ones.

The Journey that Elena goes on is so nerve wracking. I seriously could not put this book down. It’s one of those stories, that you don’t want to be over but you have to absolutely see what happens next.

“..But I wasn’t a mere human. I was a steel maiden.”

I can’t wait for Blood Witch, I also need these as paperbacks!....Lissa

1 of 1 people found the following review helpful.
Really enjoyed this book...
By SSmith
I'm glad I purchased this book. Many mysteries of the story started to unfold and you definitely learn a lot more about the characters. I love Elena's determination even though their situation seems bleak and hopeless at times. I can hardly wait for the new book in the series!

0 of 0 people found the following review helpful.
Things Are Getting Good!
By Reader's Hollow
**Reviewed by Jessica at The Reader's Hollow**

Oh, things are getting good. The previous book ended on a bit of a cliffhanger, and this one picked right back up and started off with a bang. I found myself starting to like Elena more. She's a tough little thing and I think she found a purpose in her life that really had me, as the reader, rooting for her.

The author did try to isolate her some, as she's a witch and those helping her are humans, but there wasn't much proven that they didn't like her other than Elena's own uncertain thoughts. The journey to the land of the witches wasn't as drawn out as I suspected and there was plenty of adventure along the way. I really enjoyed the imaginations that went into the familiars and other evils in the forests.
Arriving at the palace was like the story had been turned on it's head. Suddenly, there were new obstacles in Elena's way. I actually really liked where the story was headed once she found the palace. She really got to know her powers a bit better, and a bit of the political intrigue that was going on. I don't want to give too much away, but the scandal had me glued to those pages. I had to find out what would happen!

The beginning definitely didn't prepare me for the ending, and I think that's why I can't resist five stars. The obstacles in the way were entertaining, and the characters were becoming more interesting and the pacing kept me on my toes. I look forward to the next book in the series!

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Art Chantry's contrarian ways have placed him in the pantheon of great modern designers. Some People Can't Surf: The Graphic Design of Art Chantry is the first survey of this visual iconoclast, who also designed the book and packed it with hundreds of his vibrant images. Gritty, funny, and refreshingly low-tech, his award-winning work has promoted countless bands, social causes, and non-profits. Tracing Chantry's career from his covers and layouts for the seminal music magazine The Rocket, to album covers for such cult bands as Mudhoney, the Reverend Horton Heat, and the Fastbacks, Some People Can't Surf is a comprehensive look at his creative evolution. Complete with commentary on the unusual origins and unorthodox processes behind his work, as well as providing context for his oft-copied look, Some People Can't Surf is a much-anticipated exploration of this idiosyncratic design master.

• Sales Rank: #1022491 in Books
• Brand: Brand: Chronicle Books
• Published on: 2001-02-01
• Original language: English
• Number of items: 1
• Dimensions: 11.30" h x 1.00" w x 9.60" l,
• Binding: Paperback
• 144 pages

Features

• Used Book in Good Condition

Review
It's a little odd, and a more moving sign of aging than seeing gray hair in the mirror, to read a retrospective on the career of someone one's own age, someone with definite roots in the era of punk rock, someone so hip that just as many non-designers know his work as designers. Art Chantry is a man of many styles and all of them feel decidedly in-the-moment, some even in-you-face: the truly DIY poster for an Avengers gig in 1979, the professional yet DIY-look of Rhino Records' 1994 punk reissues, the psycho-billy of a Cramps poster or CDs for Estrus (only one of the coolest labels around) or his deliciously detailed Tool-style posters like the one from 1997 promoting condom use, where the floating cop head warns: "I take one everywhere I take my penis!"

His clients have included Seattle institutions like the Bathhouse, New City, Empty Space, Organic and Repertory Theatres, the Center on Contemporary Art and the Give Peace a Dance and Hempfest benefits. In addition to Estrus and Rhino, he's also designed for Sub Pop, Chuckie-Boy and many smaller record labels like Lucky, Betty and Trash City, and created dozens and dozens of logos and type treatments, each so distinct from the others, it's as though there are just as many designers within that one person. A lot of his work uses collage; for other jobs, he's hired the best illustrators for the job (including R. Crumb, Mad Magazine's Don Martin and the late Ed "Big Daddy" Roth of Rat Fink fame). And he isn't afraid to reference vintage scinece-fiction or distressed newsprint porno ads.

At 47, Chantry still speaks fluent punk. Says 30-year-old deejay Tim Kelly (WMBR), "He's got the whole retro-'60s thing down pat. The Mono Men 'Wrecker!' album is a case in point: the hot go-go girl, the sharp color contrasts--it could be a poster for some lost Russ Meyer flick. You know the Mono Men sound like a dirty garage band just by looking at the record."

Author Julie Lasky's story of first meeting Chantry (in her pajamas?) is charming (but I won't ruin it for you). As she writes, "This book can only hint at the complexities of an underground-lurking, monster-loving, self-described iconoclast who has influenced legions of designers around the world while enlivening Seattle's streets." Lasky, former managing editor of Print and current editor of Interiors, is always entertaining, as is Karrie Jacobs, editor-in-chief of dwell, whose introduction admiringly recalls Chantry from her days working on Seattle's music magazine The Rocket, for which he was the on-and-off art director. Some People Can't Surf is fun to read and even more fun to look at: Chantry's designs will rattle your cage. It'll make you want to shut off the G4, grab an old pulp novel and turn up the stereo. -Communication Arts

About the Author
Julie Lasky is former managing editor of Print magazine and current editor of Interiors. She lives in New York.

Karrie Jacobs met Art Chantry at the Seattle music magazine The Rocket. She has since edited Colors magazine, served as architecture critic for New York magazine, and currently edits Dwell magazine in San Francisco.

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2 of 5 people found the following review helpful.
A Must Have for any Designer of Anything.
By A Customer
Great cultural perspective of graphic design. Showing a true pioneer whose not gotten much credit until now. Just when you thought all those cool firms with funny names pioneered everything you finally find where they got their ideas. Touché to Mr. Chantry. And touché to those before him even lesser known than he who he owes it all too.

5 of 5 people found the following review helpful.
The Art of Art
By Michael Pinto
In a similar manner to Paula Scher and Charles Anderson, one of the main themes of Art Chantry's work is to take old images and give them a twist. While you can see an echo of this look in almost every graphic design award annual today, Chantry has been working in this style since the late 70's. And while many have borrowed his approach, few have been able to imitate it with the same sense of grit, humor, color and power.
True to the title of the book "Some People Can't Surf" there isn't one website design to be found, but that may not be a bad thing as Chantry is a master within his medium. A very large body of work that spans three decades is showcased which includes everything from his very first poster design for a school concert to promotional work for major Hollywood record labels. One pleasant surprise is seeing quite a bit of logo design work which involves the charm and craft of hand lettering. In end Chantry reminds one of a later day Milton Glaser with a punk rock point of view.
At some points the book can become too crammed by trying to jam several posters onto a page by shrinking them down to matchbook size, however the work holds up pretty well under the strain. This volume would be valuable to any graphic designer looking for inspiration or anyone who is a fan of the Seattle music from the 90's.

9 of 12 people found the following review helpful.
The sad irony...
By Mel Matsuoka
...is that Art Chantry's groundbreaking artwork (and yes--unlike some snooty traditionalist art-weenies--I DO consider graphic design to be "art"!) is more often than not gobs more compelling than the work of the people who have directly benefitted from his work (i.e. most of the so-called grunge bands from the Pacific Northwest). Yet almost nobody outside of Seattle, Tacoma or underground graphic-design circles knows who the hell he is, even though almost everyone has seen his work in one form or other (The Sub Pop logo is one example that immediately comes to mind).
In early 1991, I discovered and became obsessed with underground garagepunk & instro-surf music, the most exciting of which was coming out of the Pacific Northwest, and specifically Estrus Records, in Bellingham, Washington. It was the Estrus label that started my appreciation, and later, reverence, for Art Chantry's ir-reverent style of graphic design. When Nirvana's "Nevermind" was released later that year, the wall that previously kept mainstream riffraff from crashing "our" underground party came crumbling down, and as a result, grungy Northwest music had become suddenly (and inexplicably) marketable. The sudden onslaught of new bands inspired by this alleged "rebirth" of punkrock quickly caused the quality of Estrus' releases to assume an inversely proportional relationship to the quantity of records they put out (well, that's MY theory, at least...). Simply put, the really good music on Estrus soon became a rare commodity. Thankfully, what didn't change was the brilliant package design that thier slabs o' vinyl and silver frisbees were encased in. Art Chantry was responsible for the bulk of these designs, and is the only reason why a big chunk of my record and CD collection isn't fermenting in some used-record store somewhere. His artwork transcended the actual product it was emblazoned on, and made it worth keeping even if the music it promoted was supremely lame.
Chantry's work led me to notice and gain an appreciation for artists such as Stealworks' John Yates, Frank Kozik and even Roy Lichtenstein. But as great as those artists are, Chantry's work is the perfect amalgam of irony, humor, subversion, obnoxiousness and kitsch, and no one that I'm aware of has yet to outshadow him in this regard, even though he is without a doubt a man with many imitators. In fact, many people directly point the finger at him for popularizing the now passè movement in "grunge" design and layout. Whether this is actually true or not is debatable (although it certainly makes sense), but "Some People Can't Surf" is interesting in that it showcases a non-"grunge" (god, I hate that term) side of Chantry that most people would be very surprised to see. The same man responsible for some of the most outrageous and iconoclastic posters and album covers in music history was at the same time designing nondescript logos and brochures for boring, faceless corporations--biotech companies, architectural firms, airlines, etc.--and it's extremely interesting to see this real-world dichotomy brought to light in this book.
Another notable section of the book recalls the time when Art creatively attempted to get around a draconian 1994 Seattle anti-postering ordinance by posting up 'zine-like tabloids to telephone poles instead, ostensibly daring the city to attempt to fine him for what is fundamentally a First Amendment issue. As someone who firmly believes that graphic design and traditional "art" are not mutually exclusive, I found it refreshing to read this shining example of how designers can use their talent to actively influence and challenge the cultural status quo, instead of simply generating pretty pictures for passive consumer consumption.
When I first saw Art years ago in the documentary film, "Hype!" (which I also HIGHLY recommend), talking about the early Northwest music scene, and then proceeding to chop up his super-rare (and super-expensive) posters with a paper cutter, it completely validated what I always thought--this man is an ironic and wonderfully irreverent genius. "Some People Can't Surf" bolsters this fact even further, and I enjoyed reading this book's narrative at /least/ as much as looking at all the cool, full-color images of his brilliant work. I highly recommend this to any graphic designer who is tired of all the c.r.a.p. that tries to pass itself off as "cool", "grungy" or "retro" nowadays.

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This lively and controversial collection of essays sets out to theorize and practice a ‘materialist-feminist’ criticism of literature and culture. Such a criticism is based on the view that the material conditions in which men and women live are central to an understanding of culture and society. It emphasises the relation of gender to other categories of analysis, such as class and race, and considers the connection between ideology and cultural practice, and the ways in which all relations of power change with changing social and economic conditions.

By presenting a wide range of work by major feminist scholars, this anthology in effect defines as well as illustrates the materialist-feminist tendency in current literary criticism. The essays in the first part of the book examine race, ideology, and the literary canon and explore the ways in which other critical discourse, such as those of deconstruction and French feminism, might be useful to a feminist and materialist criticism. The second part of the book contains examples of such criticism in practice, with studies of individual works, writers and ideas. An introduction by the editors situates the collected essays in relation both to one another and to a shared materialist/feminist project.

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• Sales Rank: #8420599 in Books
• Published on: 2012-10-11
• Original language: English
• Number of items: 1
• Dimensions: 9.75" h x 6.50" w x 1.00" l, .0 pounds
• Binding: Hardcover
• 344 pages

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Printreading has been completely updated to reflect changes in the 2014 NEC® and maintain its status as an industry standard by incorporating fundamental printreading skills and relevant NEC® topics. Different types of prints used in industry are represented throughout the textbook, including plot plans, floor plans, and elevations. Prints are also used in conjunction with code requirements to determine dwelling load calculations. This textbook serves as both an instructional tool and a valuable technical reference for professionals in the field.

• Sales Rank: #437289 in Books
• Published on: 2014-06-01
• Original language: English
• Dimensions: 10.50" h x 8.25" w x .75" l, 1.76 pounds
• Binding: Paperback
• 277 pages

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0 of 0 people found the following review helpful.
Five Stars
By Dimyan
Good quality book

0 of 1 people found the following review helpful.
very satisfied
By Victoria
Came on time, very satisfied

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Covering almost a thousand years, this work features translated texts in a broad range of genres, from the early chronicles and Welsh verse through Sir Thomas Malory.

• Sales Rank: #130046 in Books
• Brand: Brand: Garland
• Published on: 1994-02-03
• Original language: English
• Number of items: 1
• Dimensions: 1.41" h x 5.92" w x 8.46" l, 1.77 pounds
• Binding: Paperback
• 592 pages

Features

• Used Book in Good Condition

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25 of 25 people found the following review helpful.
Good Overview of the Arthurian Legend, with some flaws
By Christopher M. Adderley
This is a useful anthology. If you want to learn some basics about the Arthurian legend, or if you want to teach a class on it, this is the best book to buy. It's fairly comprehensive, with the exception noted below, and the translations are readable, though seldom the best available. It's nice to see some of the unusual stories like "The Saga of the Mantle" and "The Rise of Gawain."
The collection's major flaw is its omission of any Grail text. I have to supplement this book with Nigel Bryant's translation of Robert de Boron (Merlin and the Grail, from Boydell and Brewer). We could certainly do without all the Tristan and Isolde texts (which are only marginally Arthurian anyway). The other flaw, though less grave, is the paucity of the selection from Malory. He really deserves greater prominence than he gets in this anthology, and the selection without proper context isn't very compelling.

9 of 9 people found the following review helpful.
THE ROMANCE OF ARTHUR
By K. Jump
James Wilhelm's "The Romance of Arthur" is an outstanding one-book resource for any student of Arthurian lore. Wilhelm's introductory notes are concise but helpful, and the selection of material is both varied and quite entertaining. There are not only widely familiar and vital core works such as The Knight of the Cart, The Romance of Tristan, Malory's Le Morte Darthur and the Prose Merlin, but more obscure masterpieces such as The Saga of the Mantle, the Rise of Gawain, and the Alliterative Morte Arthure--the last highlighted by some of the most powerful literary battles since Homer and a particularly moving scene of Arthur on his deathbed. An unqualified recommendation for any Arthurian library.

10 of 11 people found the following review helpful.
Great starting book
By K. Garlick
I originally got this book for a course, and it was my first taste of medeival lit. (beyond Beowulf and Canterbury tales, at least - but who didn't read those in twelth grade?). I found it an intriguing, well chosen compilation which showed the major evolutions of the Arthurian saga from the blood-thirsty early chronicals to the flowery romances and chivalry more commonly associated with the legend. The selected excerpts were of just the right length for reading in one sitting, and the introductions helped greatly in understanding them. Despite the fate of most books assigned for a class - I truly enjoyed this one.

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Features:

Teaches basic game development including graphics, sound, artificial intelligence, animation, game engines, Web-based games, and more

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Uses Processing, a free, downloadable platform with a frame by frame display scheme that is perfect for computer games

• Sales Rank: #1597083 in Books
• Published on: 2015-06-03
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .70" w x 6.90" l, .0 pounds
• Binding: Paperback
• 350 pages

About the Author
James R. Parker is a professor of Art Digital Media at the University of Calgary. His areas of research include computer games and media art, computer simulation, and educational technology. Dr. Parker is the author of Introduction to Game Development (Mercury Learning),The Guide to Simulations and Games (Wiley) and Algorithms for Image Processing and Computer Vision, Second Edition (Wiley).

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• Published on: 1999
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